In that nine-episode Disney+ show, Wanda, in response to the grief of losing her android soulmate, Vision (Paul Bettany), altered the fabric of reality and gave herself a pair of twin sons while mentally enslaving an entire town of people. And nothing makes that more abundantly clear than when one of them loses their way.įrom its first beat, Multiverse of Madness requires its audience to know everything that happened to Wanda Maximoff (Elizabeth Olsen) in WandaVision - including everything she did. Directed by horror comedy savant Sam Raimi and written by Michael Waldron, Multiverse of Madness suggests that despite saving the world multiple times, and enduring all kinds of triumphs and trauma together, these people don’t really care about each other outside of those world-ending events. The Avengers are coworkers first and friends by chance.ĭoctor Strange in the Multiverse of Madness’s spin on that idea is the most riveting thing about the flashy but ultimately uneven movie. How these heroes aren’t on the phone with Pepper Potts (Gwyneth Paltrow) demanding medical insurance and overtime reimbursement is beyond me. And Marvel’s television series The Falcon and The Winter Soldier included an entire plot built upon the fact that the Avengers weren’t paid, even in spite of Tony Stark’s (Robert Downey Jr.) astronomic wealth. Their split in Civil War was largely about who they worked for. The team began as an extra-governmental initiative contracted together by Nick Fury (Samuel L. The first Avengers movie grafted the idea of conflicting office egos onto a hyperbolic, alien invasion allegory. For Earth’s Mightiest Heroes, being super is a job. The most intriguing thing about the Avengers is also the reason I’ve never really warmed to them: They’re just a group of extraordinarily gifted coworkers. This post contains light spoilers about Doctor Strange in the Multiverse of Madness, but nothing more than what we’ve seen in trailers and nine episodes of WandaVision.
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